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Frank Borzage

Frank Borzage

From Wikipedia, the free encyclopedia Frank Borzage (April 23, 1894 – June 19, 1962) was an Academy Award-winning American film director and actor, known for directing 7th Heaven (1927), Street Angel (1928), Bad Girl (1931), A Farewell to Arms (1932), Man's Castle (1933), History Is Made at Night (1937), The Mortal Storm (1940) and Moonrise (1948). In 1912 Borzage found employment as an actor in Hollywood; he continued to work as an actor until 1917. His directorial debut came in 1915 with the film The Pitch o' Chance. He was a successful director throughout the 1920s, but reached his peak in the late silent and early sound era. Absorbing visual influences from the German director F.W. Murnau, who was also resident at Fox at this time, Borzage developed his own style of lushly visual romanticism in a hugely successful series of films starring Janet Gaynor and Charles Farrell, including 7th Heaven (1927), for which he won the first Academy Award for Best Director, Street Angel (1928) and Lucky Star (1929). He won a second Oscar for 1931's Bad Girl. He directed 14 films between 1917 and 1919 alone. His greatest success in the silent era was with Humoresque, a box office winner starring Vera Gordon. Borzage's trademark was intense identification with the feelings of young lovers in the face of adversity, with love in his films triumphing over such trials as World War I (7th Heaven and A Farewell to Arms), disability (Lucky Star), the Depression (Man's Castle), a thinly disguised version of the Titanic disaster in History Is Made at Night, and the rise of Nazism, a theme which Borzage had virtually to himself among Hollywood filmmakers from Little Man, What Now? (1933) to Three Comrades (1938) and The Mortal Storm (1940). His work took a spiritual turn in such films as Green Light (1937), Strange Cargo (1940) and The Big Fisherman (1959). Of his later work only the film noir Moonrise (1948) has enjoyed much critical acclaim. After 1948, Borzage's output was sporadic. In 1955 and 1957, he was awarded The George Eastman Award, given by George Eastman House for distinguished contribution to the art of film. Frank Borzage died of cancer in 1962, aged 68.

Known for

Murnau, Borzage and Fox
Murnau, Borzage and Fox
2008 • Self (archive footage) (uncredited)
Jeanne Eagels
Jeanne Eagels
1957 • Self (uncredited)
The Atom
The Atom
1918
The Curse of Iku
The Curse of Iku
1918 • Allan Carroll / Allan Carroll III
Fear Not
Fear Not
1917 • Franklin Shirley
Wee Lady Betty
Wee Lady Betty
1917 • Roger O'Reilly
A Mormon Maid
A Mormon Maid
1917 • Tom Rigdon
A School for Husbands
A School for Husbands
1917 • Hugh Aslam

Full filmography

Murnau, Borzage and Fox
Murnau, Borzage and Fox
2008 • Self (archive footage) (uncredited)
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Jeanne Eagels
Jeanne Eagels
1957 • Self (uncredited)
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The Curse of Iku
The Curse of Iku
1918 • Allan Carroll / Allan Carroll III
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Fear Not
Fear Not
1917 • Franklin Shirley
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Wee Lady Betty
Wee Lady Betty
1917 • Roger O'Reilly
View movie
A Mormon Maid
A Mormon Maid
1917 • Tom Rigdon
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Immediate Lee
Immediate Lee
1916 • Immediate Lee
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Land O' Lizards
Land O' Lizards
1916 • The Stranger
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Matchin' Jim
1916 • Matchin' Jim
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That Gal of Burke's
1916 • Charles Percival
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The Demon of Fear
The Demon of Fear
1916 • Thomas Marsh
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The Pilgrim
The Pilgrim
1916 • The Pilgrim
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Jack
1916 • Jack
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Unlucky Luke
1916 • Luke Drummond
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Two Bits
Two Bits
1916 • James Hardeman
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The Code of Honor
1916 • Lt. Bob Chase
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The Cactus Blossom
1915 • Dave Foster
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The Pitch o' Chance
The Pitch o' Chance
1915 • Rocky Scott
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The Clean-Up
1915 • George Prescott
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Aloha Oe
Aloha Oe
1915 • Dr. John Hawley
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The Hammer
1915 • Donald Barstow
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The Secret of Lost River
1915 • Tom Hornby - Prospector
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The Cup of Life
1915 • Dick Ralston
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In the Switch Tower
In the Switch Tower
1915 • Joel Wharton
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The Panther
1914 • David Brandt
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The Typhoon
The Typhoon
1914 • Renard Bernisky
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Parson Larkin's Wife
1914 • Parson James Larkin
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Samson
Samson
1914 • Bearded Philistine Extra (uncredited)
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Granddad
Granddad
1913 • Mildred's Father
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Frank Borzage – Biography, Known For & Filmography